2023

“Pulling Threads: On the Poetics of Strings in Tal Amitai-Lavi’s Works”

An essay about Tal Amitai-Lavi's threads works for the book PULLING THREADS, published in conjunction with "The Pulsating Room," Ramat Hasharon Contemporary Art Gallery, June, 2023

2023

“A Maiden, a Mother and a Crone: Fishing in the Collective Consciousness”

A catalogue essay for Carol Jazzar's artist book "All (W-hole) of Me", Healing through Art: The Art of Deconstructing and Recreating Oneself, published by Miami Design District, March 2023

2021

“Magical Threads and Meditative Carpet in the Frequency of Zen Poems”

An essay about HOMELINE by Tal Amitai-Lavi and Tal Frank for Locust Projects' Blog, online edition, June 2021

2021

“On the Nature of Holes, Black Gold and Love of Fate in Petropias by Tony Vazquez-Figueroa”

A catalogue essay for PETROPIAS: Tony Vazquez-Figueroa, LnS Gallery, Miami

2019

“Allison Zuckerman: To Create from a Cloud”

A catalogue essay for Allison Zuckerman: To Create from a Cloud, Herzliya Museum of Contemporary Art

2019

“Qinza Najm: Still I Rise”

An online catalogue essay for Qinza Najm: Still I Rise, A.I.R. Gallery, New York

2018

“Purity and Impurity in the Wilderness of the Imagination”

A catalogue essay for Moran Kliger: Seven Primates, Basis Gallery, Herzliya

2018

“From the Passion for the Real to Life Itself”

A catalogue essay for Tomer Sapir: Research for the Full Crypto-Taxidermical Index

2018

“Time of Fracture: Reencountering the Work of Florencio Gelabert”

A catalogue essay for Florencio Gelabert: Displacements. IdeoBox, Miami

2017

“Stopping Time, Molding Mold”

A catalogue essay for Gal Weinstein: Sun Stand Still, The Israeli Pavilion, la Biennale di Venezia

2017

“Serial Robbery in the Playground of Art History”

A catalogue essay on the series Stranger in Paradise by Allison Zuckerman, The Rubell Family Collection, Miami

2016

“Frances Goodman Nails her Colors to the Mast”

A catalogue essay for Frances Goodman: Rapaciously Yours, Richard Taittinger Gallery, NYC

2016

“Neither Tree nor Ashes”

A conversation with Shanthamani M. for "Neither Tree nor Ashes", published by Suzanne Tarasieve Gallery, Paris

2015

“On the Miracle of Representation: Conversation with Oren Eliav”

A conversation with Oren Eliav for "Advent" published by Suzanne Tarasieve Gallery, Paris

2015

“Contextualizing Hunting: on Dina Shenhav: D.O.A.”

An essay for Dina Shenhav: D.O.A. published in "small format" by ArtCenter [Little River Edition], Miami

2015

“No Man’s Land – A Comfort Zone: Notes about a Title”

A catalogue essay for NO MAN'S LAND: Women Artists from the Rubell Family Collection, RFC

2014

“From Skins to Landscape: on Agustina Woodgate’s Rug Collection”

A brochure essay for Agustina Woodgate: Rugs, Art and Culture Center of Hollywood

2014

“Like a Thread in a Storm”

An essay for a digital catalogue of Tal Amitai-Lavi: Light Construction, Chelouche Gallery for Contemporary Art

2012

“From Body Politics to Conflict Politics: Aziz + Cucher Come Out of the (Biography) Closet”

A catalogue essay for Aziz + Cucher: Some People, The Indianapolis Museum of Art

2012

“Critical Mass: Beyond Aesthetics”

A catalogue essay for the exhibition Critical Mass: Contemporary Art from India, Tel Aviv Museum of Art (co-written with Rotem Ruff)

2012

“Nature Has No Copyright”

A catalogue essay for the exhibition UNNATURAL, Bass Museum of Art

2010

“Collecting is a Form of Uprooting – An Encounter between Self and Object”

A catalogue essay for the exhibition Shelf Life (co-curated with Rotem Ruff), Haifa Museum of Art

2009

“Aesthetics of Violence”

A brochure essay for three solo exhibitions: AES+F, Norbert Bisky and Biljana Đurđević, Haifa Museum of Art

2009

“Power Games: Contemporary Art from Poland”

A brochure essay for Power Games: Contemporary Art from Poland, Haifa Museum of Art

2009

“Exaggeration is Twice as Real”

A catalogue essay for the exhibition Wild Exaggeration: The Grotesque Body in Contemporary Art, Haifa Museum of Art

2007

“Kader Attia: Who Cares?”

A brochure essay for Kader Attia: Who Cares?, Haifa Museum of Art

2007

“Craftsmen in the Factory of Images”

A catalogue essay for the exhibition BoysCraft, Haifa Museum of Art

2007

“On the Noise in the Heart: A Chronicle of an Acquaintance with Hila Lulu Lin”

A comissioned essay for an artist book "Hila Lulu Lin: She*", Ein Harod Museum of Art

2006

“The Road to Happiness: On Cultural Conflict, Desire, and Illusion in the Work of Kader Attia”

A central essay for the book published in conjunction with the exhibition Kader Attia in Musee d'art contemporain, Lyon

2006

“FATAMORGANA: The Magic Lantern of Consciousness”

An catalogue essay for the exhibition Fatamorgana, Haifa Museum of Art

2006

“The Industry of Emotions / Or: I Feel, Therefore I Am”

A catalogue essay for the exhibition Mixed Emotions, Haifa Museum of Art

2006

“Dancing with Barbed Wire”

An essay on Sigalit Landau for "Memorials of Identity: New Media from the Rubell Family Collection"

2005

“Nir Hod: An Acrobat of Emotion in The Circus of Illusions”

A catalogue essay for Nir Hod: Forever, Tel Aviv Museum of Art

2005

“Kader Attia: Ports of Paradise for Sale – On Fantasies and Brand Names in the Era of Globalization”

A brochure essay for the exhibition of Kader Attia, Herzliya Museum of Art (in French)

2004

“Tal Amitai: Requiem for a Fantasy of Happiness”

A catalogue essay for Tal Amitai: (Temporary) Happiness, Janco-Dada Museum, Ein Hod, Herzliya Museum of Contemporary Art

2004

“Love is in the Air: A Quick Introduction to Romantic Love”

A catalogue essay for the exhibition Love is in the Air, Time for Art: Israeli Art Center, Tel Aviv

2003

“Time Capsule: Archaeology in Contemporary Art”

An essay for Time Capsule catalogue, Art in General, New York

2003

“The God of Small Details”

A catalogue essay for OverCraft, The Art Gallery, Haifa University

2003

“Mommy Dearest”

A brochure essay on Robert Melee’s work, The Herzliya Museum of Contemporary Art

2003

“Meirav Heiman: Family Dyes”

A brochure essay on Meirav Heiman’s video installation, The Herzliya Museum of Contemporary Art

2002

“Gal Weinstein: The Valley of Jezreel”

An essay for Chilufim (Transfer): An Exchange Project of Artists, 2002/2003, Israel - North Reine-Westphalia

2002

“Aziz + Cucher: Passage”

A brochure text for Aziz + Cucher: Passage, The Herzliya Museum of Contemporary Art

2002

“A Woman Wearing These Clothes Remains Practically Naked”

An essay for Nicola Costantino: Boutique, The Herzliya Museum of Contemporary Art

2002

“What’s Soft, Translucent, Moist and Slimy? On Mediations of Erotic Nature in Hugit Rubinstein’s Work”

A catalogue essay for Hagit Rubinstein: Soft World, Tal Esther Gallery, Tel Aviv

2002

“On Paradoxes of Representation, Illusion and Vanity”

A catalogue essay for Gil Schachar: Hand Made, The Herzliya Museum of Contemporary Art

2001

“Burning Concerns: Delving into the Heart of the Conflict”

A catalogue essay for Tsibi Geva - Rage, Achshav.now Contemporary Art Gallery, Berlin

2000

Mount Miami: American Artists in Tel Aviv

A catalogue essay for Mount Miami, Tel Aviv Artists' Studios

1999

Phantoms: Tsibi Geva and Jose bedia – Notes on an Inter-Cultural Encounter

Catalogue essay for Phantoms: Tsibi Geva and Jose Bedia, Art Focus 3, Jerusalem

1999

“Eugenia Vargas – The Abject Body: Notes on Abjection and Prejudice”

A catalogue essay for Eugenia Vargas, Miami-Dade Community College, Wolfson Campus, Miami

1998

“Between Nature and Culture: Poetics of Materials and Objects – New Work by Florencio Gelabert”

Text for a traveling solo exhibition at Ambrosino Gallery, Miami

1996

“A Matter of Distance”

A catalogue essay for Desert Cliché: Israel Now - Local Images, a traveling exhibition in the USA

1996

“I AND THOU: Processes of Abandonment and Anorexic Purification in César Trasobares’ New Sculptures”

Text for MIAMI ART PAPER in conjunction with an exhibition at Ambrosino Gallery, Miami

1995

“Dorrit Yacoby: To Live with Knives in the Gut at the Gates of Mercy”

A catalogue essay for Dorrit Yacoby solo show at the Gallery of the Canadian Embassy, Tokyo, and at the Osaka Contemporary Art Center, Osaka, Japan

1994

“Meta-Sex 94: Identity, Body and Sexuality”

A catalogue essay for Meta-Sex 94, Ein Harod, Museum of Art, Bat Yam Museum

1993

“Antipathos: Black Humor, Irony and Cynicism in Contemporary Israeli Art”

A catalogue essay for Antipathos, The Israel Museum, Jerusalem

1992

“Hastily the World Hastens to Pass Away…,”

A catalogue essay for the exhibition Postscripts: 'End' Representations in Contemporary Israeli Art, The Genia Schreiber University Art Gallery, Tel Aviv University