A commissioned essay for an artist book “Hila Lulu Lin: She*”, Ein Harod Museum of Art. Additional essays by Galia Bar Or, Irena Gordon and Galit Eilat.
“I met her in 1993, shortly before the exhibition Antipathos featured at the Israel Museum, Jerusalem, which dealt with aspects of black humor, irony and cynicism in young Israeli art. Lin was presented there in a quintessential postmodern context that offered countless alternatives for authenticity […] A year later we had another interaction, in proximity with the exhibition MetaSex 94 […] Lin presented No More Tears, an iconic video piece, later to become a Lulu Linian trademark.”
The artist book (Hebrew, English, Arabic), 300 pages, full color reproduction, featured the oeuvre of the artist from the 1990’s till today. Integrated into the book were Lu Lu Lin’s poetic texts. It was published in conjunction with the exhibition “She”, Ein Harod Museum of Art (curated by Galia Bar Or).
A commissioned essay for an artist book “Hila Lulu Lin: She*”, Ein Harod Museum of Art. Additional essays by Galia Bar Or, Irena Gordon and Galit Eilat.
“I met her in 1993, shortly before the exhibition Antipathos featured at the Israel Museum, Jerusalem, which dealt with aspects of black humor, irony and cynicism in young Israeli art. Lin was presented there in a quintessential postmodern context that offered countless alternatives for authenticity […] A year later we had another interaction, in proximity with the exhibition MetaSex 94 […] Lin presented No More Tears, an iconic video piece, later to become a Lulu Linian trademark.”
The artist book (Hebrew, English, Arabic), 300 pages, full color reproduction, featured the oeuvre of the artist from the 1990’s till today. Integrated into the book were Lu Lu Lin’s poetic texts. It was published in conjunction with the exhibition “She”, Ein Harod Museum of Art (curated by Galia Bar Or).