2016

“Frances Goodman Nails her Colors to the Mast”

A catalogue essay for Frances Goodman: Rapaciously Yours, Richard Taittinger Gallery, NYC

2016

“Neither Tree nor Ashes”

A conversation with Shanthamani M. for "Neither Tree nor Ashes", published by Suzanne Tarasieve Gallery, Paris

2015

“On the Miracle of Representation: Conversation with Oren Eliav”

A conversation with Oren Eliav for "Advent" published by Suzanne Tarasieve Gallery, Paris

2015

“Contextualizing Hunting: on Dina Shenhav: D.O.A.”

An essay for Dina Shenhav: D.O.A. published in "small format" by ArtCenter [Little River Edition], Miami

2015

“No Man’s Land – A Comfort Zone: Notes about a Title”

A catalogue essay for NO MAN'S LAND: Women Artists from the Rubell Family Collection, RFC

2014

“From Skins to Landscape: on Agustina Woodgate’s Rug Collection”

A brochure essay for Agustina Woodgate: Rugs, Art and Culture Center of Hollywood

2014

“Like a Thread in a Storm”

An essay for a digital catalogue of Tal Amitai-Lavi: Light Construction, Chelouche Gallery for Contemporary Art

2012

“From Body Politics to Conflict Politics: Aziz + Cucher Come Out of the (Biography) Closet”

A catalogue essay for Aziz + Cucher: Some People, The Indianapolis Museum of Art

2012

“Critical Mass: Beyond Aesthetics”

A catalogue essay for the exhibition Critical Mass: Contemporary Art from India, Tel Aviv Museum of Art (co-written with Rotem Ruff)

2012

“Nature Has No Copyright”

A catalogue essay for the exhibition UNNATURAL, Bass Museum of Art

2010

“Collecting is a Form of Uprooting – An Encounter between Self and Object”

A catalogue essay for the exhibition Shelf Life (co-curated with Rotem Ruff), Haifa Museum of Art

2009

“Aesthetics of Violence”

A brochure essay for three solo exhibitions: AES+F, Norbert Bisky and Biljana Đurđević, Haifa Museum of Art

2009

“Power Games: Contemporary Art from Poland”

A brochure essay for Power Games: Contemporary Art from Poland, Haifa Museum of Art

2009

“Exaggeration is Twice as Real”

A catalogue essay for the exhibition Wild Exaggeration: The Grotesque Body in Contemporary Art, Haifa Museum of Art

2007

“Kader Attia: Who Cares?”

A brochure essay for Kader Attia: Who Cares?, Haifa Museum of Art

2007

“Craftsmen in the Factory of Images”

A catalogue essay for the exhibition BoysCraft, Haifa Museum of Art

2007

“On the Noise in the Heart: A Chronicle of an Acquaintance with Hila Lulu Lin”

A comissioned essay for an artist book "Hila Lulu Lin: She*", Ein Harod Museum of Art

2006

“The Road to Happiness: On Cultural Conflict, Desire, and Illusion in the Work of Kader Attia”

A central essay for the book published in conjunction with the exhibition Kader Attia in Musee d'art contemporain, Lyon

2006

“FATAMORGANA: The Magic Lantern of Consciousness”

An catalogue essay for the exhibition Fatamorgana, Haifa Museum of Art

2006

“The Industry of Emotions / Or: I Feel, Therefore I Am”

A catalogue essay for the exhibition Mixed Emotions, Haifa Museum of Art

2006

“Dancing with Barbed Wire”

An essay on Sigalit Landau for "Memorials of Identity: New Media from the Rubell Family Collection"

2005

“Nir Hod: An Acrobat of Emotion in The Circus of Illusions”

A catalogue essay for Nir Hod: Forever, Tel Aviv Museum of Art

2005

“Kader Attia: Ports of Paradise for Sale – On Fantasies and Brand Names in the Era of Globalization”

A brochure essay for the exhibition of Kader Attia, Herzliya Museum of Art (in French)

2004

“Tal Amitai: Requiem for a Fantasy of Happiness”

A catalogue essay for Tal Amitai: (Temporary) Happiness, Janco-Dada Museum, Ein Hod, Herzliya Museum of Contemporary Art

2004

“Love is in the Air: A Quick Introduction to Romantic Love”

A catalogue essay for the exhibition Love is in the Air, Time for Art: Israeli Art Center, Tel Aviv

2003

“Time Capsule: Archaeology in Contemporary Art”

An essay for Time Capsule catalogue, Art in General, New York

2003

“The God of Small Details”

A catalogue essay for OverCraft, The Art Gallery, Haifa University

2003

“Mommy Dearest”

A brochure essay on Robert Melee’s work, The Herzliya Museum of Contemporary Art

2003

“Meirav Heiman: Family Dyes”

A brochure essay on Meirav Heiman’s video installation, The Herzliya Museum of Contemporary Art

2002

“Gal Weinstein: The Valley of Jezreel”

An essay for Chilufim (Transfer): An Exchange Project of Artists, 2002/2003, Israel - North Reine-Westphalia

2002

“Aziz + Cucher: Passage”

A brochure text for Aziz + Cucher: Passage, The Herzliya Museum of Contemporary Art

2002

“A Woman Wearing These Clothes Remains Practically Naked”

An essay for Nicola Costantino: Boutique, The Herzliya Museum of Contemporary Art

2002

“What’s Soft, Translucent, Moist and Slimy? On Mediations of Erotic Nature in Hugit Rubinstein’s Work”

A catalogue essay for Hagit Rubinstein: Soft World, Tal Esther Gallery, Tel Aviv

2002

“On Paradoxes of Representation, Illusion and Vanity”

A catalogue essay for Gil Schachar: Hand Made, The Herzliya Museum of Contemporary Art

2001

“Burning Concerns: Delving into the Heart of the Conflict”

A catalogue essay for Tsibi Geva - Rage, Achshav.now Contemporary Art Gallery, Berlin

2000

Mount Miami: American Artists in Tel Aviv

A catalogue essay for Mount Miami, Tel Aviv Artists' Studios

1999

Phantoms: Tsibi Geva and Jose bedia – Notes on an Inter-Cultural Encounter

Catalogue essay for Phantoms: Tsibi Geva and Jose Bedia, Art Focus 3, Jerusalem

1999

“Eugenia Vargas – The Abject Body: Notes on Abjection and Prejudice”

A catalogue essay for Eugenia Vargas, Miami-Dade Community College, Wolfson Campus, Miami

1998

“Between Nature and Culture: Poetics of Materials and Objects – New Work by Florencio Gelabert”

Text for a traveling solo exhibition at Ambrosino Gallery, Miami

1996

“A Matter of Distance”

A catalogue essay for Desert Cliché: Israel Now - Local Images, a traveling exhibition in the USA

1996

“I AND THOU: Processes of Abandonment and Anorexic Purification in César Trasobares’ New Sculptures”

Text for MIAMI ART PAPER in conjunction with an exhibition at Ambrosino Gallery, Miami

1995

“Dorrit Yacoby: To Live with Knives in the Gut at the Gates of Mercy”

A catalogue essay for Dorrit Yacoby solo show at the Gallery of the Canadian Embassy, Tokyo, and at the Osaka Contemporary Art Center, Osaka, Japan

1994

“Meta-Sex 94: Identity, Body and Sexuality”

A catalogue essay for Meta-Sex 94, Ein Harod, Museum of Art, Bat Yam Museum

1993

“Antipathos: Black Humor, Irony and Cynicism in Contemporary Israeli Art”

A catalogue essay for Antipathos, The Israel Museum, Jerusalem

1992

“Hastily the World Hastens to Pass Away…,”

A catalogue essay for the exhibition Postscripts: 'End' Representations in Contemporary Israeli Art, The Genia Schreiber University Art Gallery, Tel Aviv University